Lydia Corbett, formerly Sylvette David, became Pablo Picasso's muse in the summer of 1954 when she was 19 and he was 72. Picasso created approximately 60 works, including paintings, ceramics, and steel sculptures, inspired by her during the three months they spent together. Corbett, a shy art student with a distinctive ponytail that Picasso admired, recalled their relationship as being akin to that of a godfather and goddaughter, with no romantic involvement. She often posed in a rocking chair, looking out a window, while Picasso worked. He was described as charming and funny, making efforts to elicit giggles from the serious young woman, and she felt a strong, spiritual connection with him.
The experience of being Picasso's muse significantly boosted Corbett's confidence. She remembered feeling special and in awe of the famous artist. When the "Sylvette series" was exhibited, it caused a sensation, leading to "Sylvette-mania" and her hairstyle being mimicked by figures like Brigitte Bardot. Despite the public attention, Corbett remained humble and preferred a quiet life. She was particularly grateful to Picasso, crediting him with changing her life and providing her with an invaluable artistic education.
As payment for her sittings, Picasso allowed Corbett to choose one of his paintings, a black-and-white profile that she felt captured her likeness. She later sold this painting for $10,000 when her first husband, Toby Jellinek, was ill with tuberculosis and they needed the money. Corbett, now 89, has no regrets about selling the artwork, emphasizing that she values spiritual experiences over material possessions. Following a painful divorce at age 45, she began her own painting career, initially using watercolors and Indian ink, and later switching to oil paints and charcoal due to declining eyesight. She continues to paint daily, finding inspiration in her life experiences, and has recently exhibited her work in Germany and St. Ives.
